
The Sound Pattern of English, SPE
A milestone
Although most of its main theses were long ago abandoned by both authors, Noam Chomsky and Morris Halle, SPE remains a milestone in linguistics.
It is a testament to its quality and depth, that admirers and detractors alike refer to it by the acronym of its title rather than, more standardly, by the names of the authors and the date of publication. Remarkably, it was only published in paperback long after both authors had moved on. One SPE thesis which has not been abandoned is the notion of a ‘possible word’. SPE gives the example of BNIK as a completely impossible word in English, though possible in many languages, and almost possible in Greek and Russian.
The work of three of my child friendly notables critically exploited the notion of possible words, without using anything like this term. The idea was taken much further in SPE. This was on the basis of new evidence from a large number of languages and their histories, almost all unknown to European and American scholars until the late 19th and early 20th centuries.
From features to phonemes
Like Holder before them, but using a new and much more precise terminology, Chomsky and Halle propose that the phonemes are defined by the features, rather than the features being just their taxonomic attributes. This order of definition is still crucially relevant for the study of children’s speech.
By a taxonomic approach, as espoused by the International Phonetic Association, there are eleven points at which the airflow can be constricted, the vocal chords, the lips, and nine others in between.
SPE recognises that no language exploits more than a few of these in any given ‘system’ the stops or the fricatives. English is typical is exploiting three points in the stops, P, T, and K, and four in the fricatives, F, S, SH and TH. So SPE proposes a more abstract but more parsimonious model with just four features to define articulatory place. To accommodate the TH phoneme in thin, SPE proposes a negative valuation with respect to a feature which it calls ‘strident’, contrasting this with a positive valuation with respect to F in fin, S in sin, SH in shin.
By the SPE system, features are either on or off. This was, as it remains, a quite reasonable assumption, given that this is how the nervous system works. Nerves are either activated or not.
SPE makes it possible to describe a large range of what are commonly called ‘processes‘ – like ‘stopping’ or saying sea as TEA by reversing the value of the feature which SPE calls [Continuant] or ‘fronting’ or saying key as TEA by reversing the values of two of the four place features.
Rhythm or word stress or ‘metricality’
As one aspect of what is known as the ‘metricality’ of sound structure in contrast to its ‘segmentality’, word stress has complex effects across the whole range of speech acquisition – as shown by Nunes (2002) up until the age of seven or eight. SPE gives the first full account of English word stress, as a universal property of all English words, obvious in those with two syllables or more, and as much a part of an English word as the phonemes. Before SPE, it was often said that English stress varied randomly, as in Canada, loaned from Mohawk and Iroquois, spaghetti from Italian, and vindaloo, from various South Indian languages which had themselves loaned a form like vinho d’alho (wine of garlic) presumably from Portuguese. In Canada the stress on the first syllable; in spaghetti it is on the second; in vindaloo it is on the final syllable. Until SPE, the basis of the metricality remained mysterious. John Thelwall described it in terms of ‘cadences’, stretching the meaning of the musical term. Alexander Melville Bell suspected that an account was possible. SPE provided the first such account.
Over richness
The great defect of SPE is that its descriptive power is over-rich. In many cases it is as easy or even easier to describe things which do not happen or only happen very rarely than it is to describe things which are very common. For instance, key by ‘fronting’ as TEA is common. But tea as KEY is rare. And the lip action in pea is barely involved at all. Of six logically possible substitutions, all easily defined by reversing the values of two features, only one is commonly attested. This is not perspicuously captured by a reversal of two feature values, rather than one.
As shown by Nunes (2002), in a way consistent with the proposal here, there is a more perspicuous account of fronting by a developmental failure with respect to what Diana Archangeli (1984) calls ‘alphabet formation‘.
In child speech ‘stopping’ – saying sea as TEA is common, but the opposite is uncommon in child speech. The unusual cas of tea as SEA is known as ‘spirantisation’ from the old term ‘spirant’ for what is now generally known as a ‘fricative’. But spirantisation is common in adult phonology, as exampled in English by electricity from electric with a K sound turning into an S sound, as exampled in SPE.
I don’t yet have an account for the inverse phenomena with respect to spirantisation in adult phonology and stopping in child phonology. But there may be an account from the ordering in the process of alphabet formation. This may work differently in the two areas.
Still a milestone
Chomsky and Halle did not know of the work of their child friendly predecessors because of some shenanigans in the early 1900s. But thanks to SPE, there is now lively research in all of SPE’s main areas, all matters of great concern for clinical linguistics, particularly the duality of metricality and segmentality.